![]() His dedication to a new life drove him to continue making music and hoping people would listen to it. To him, living on the streets of Philly was just as bad as death so he had nothing to lose. He wanted to see success so bad that he’d risk his life for it. Although he was threatened and knew his chance of success was slim, he still continued with his dream. The final phrase “It was time to marry the game and I said, ‘Yeah, I do'” is an explanation of what he did. He knew that by doing what he was doing he was risking his life, but he would not stop. People threatened him for what he was doing, yet his dream of fame kept him going. Throughout the process, he saw success but he also saw some of his worst fears come true. He worked hard to make it out of the streets of Philly. ![]() While Meek Mill had to experience times when he and his friends were arrested, he knew the future would be better. It was not an easy process by any means, which the lines “In a matter of time I spent on some locked up shit / In the back of the paddy wagon, cuffs locked on wrists / See my dreams unfold, nightmares come true / It was time to marry the game and I said, ‘Yeah, I do'” explains this further. The phrase “I had to grind like this to shine like this” explains that Meek Mill had to work as hard as he did to see the fame he finally got. The following lines “I used to pray for times like this, to rhyme like this / So I had to grind like that to shine like this” are him reminiscing about when he dreamed of fame. ![]() Fans of Meek Mill knew he was talented, and its huge for them to finally get recognition for his talents. The first phrase “Ain’t this what they’ve been waiting for? You ready?” is a shoutout to his fans who have been waiting for when he’d finally release an album. It was time to marry the game and I said, “Yeah, I do” See my dreams unfold, nightmares come true In the back of the paddy wagon, cuffs locked on wrists In a matter of time I spent on some locked up shit So I had to grind like that to shine like this I used to pray for times like this, to rhyme like this Meek Mill’s highly anticipated 1st studio albumĪin’t this what they’ve been waiting for? His song “Dreams and Nightmares,” which is the intro to the album, expresses how happy he is to finally see fame and be able to produce a studio album. That fan base grew exponentially once he starting partnering with big time artists like Rick Ross who supported Meek Mill and his talent. On October 30th 2012, Meek Mill released his first studio album, “Dreams and Nightmares.” For years Meek Mill only released mixtapes so that he could develop a fan base. For Meek Mill, rap has been his way of expressing his life, complete with all his struggles. Through it all, Mill has established himself as a kind of throwback-a passionate ambassador of classic rap who pitched street stories with a feverish sense of drama: You knew he meant it not just because he said it, but because he yelled it.Music always tells a story. In 2018, it was discovered that Mill’s arresting officer might have mishandled the case, freeing Mill from jail and, potentially, bringing to a close a decade-long ordeal. Mill continued to release music throughout the 2010s, interrupted by stints in jail and house arrest, often for violating parole stemming from his initial 2007 arrest-a case that drew widespread interest from artists and activists, including an op-ed by JAY-Z in The New York Times. Sidelined by an arrest for gun and drug possession, and a seven-month prison sentence, Mill bounced back by signing to Rick Ross’ Maybach Music Group in 2011 and dropping a couple of high-profile collaborations with his new label boss (“Ima Boss,” “Tupac Back”). Raised in North Philadelphia, Mill (born Robert Rihmeek Williams in 1987) got his start with local group The Bloodhoundz, honing his skills in the city's vicious battle scene and turning out a string of solo mixtapes that eventually caught the interest of T.I.’s label, Grand Hustle. Meek Mill’s the kind of rapper who treats life like a battle even when he’s winning-or, as he spun it on the intro to 2012’s Dreams and Nightmares, “I’m the type to count a million cash then grind like I’m broke.” It’s not that his themes-struggle, triumph, repeat-are new, but that he manages to make them personal, retaining the urgency of a street artist even while working the mainstream.
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